Perhaps the foremost authority in performance art, Phelan’s numerous works include Unmarked: The Politics of Performance (1993); Mourning Sex: Performing Public Memories (1997); Acting Out: Feminist Performances (1993); and The Ends of Performance (1998). Professor Phelan’s work reflects her broad-ranging and passionate interests in contemporary theater, art, photography, literature, dance, and film. She has written in recent years about an extraordinary array of artists, writers, and cultural figures including Samuel Beckett, Andy Warhol, Ronald Reagan, the photographer Andres Serrano, and the avant-garde performance artist Marina Abramovic.
Peggy Phelan is the Ann O’Day Maples Chair in the Arts, Chair of the Drama Department, and has been at Stanford since 2003. In 2006, she joined the English department and now holds a joint appointment in Drama and English. She is also the author of the survey essay for Art and Feminism, ed. Helena Reckitt (Phaidon, 2003, winner of “The top 25 best books in art and architecture” award); the survey essay for Pipilotti Rist (Phaidon, 2001); and the catalog essay for Intus: Helena Almeida (Lisbon, 2004). Acting Out: Feminist Performances, co-edited with the late Lynda Hart, was cited as Best Critical Anthology of 1993 by American Book Review. Phelan is also co-editor with Jill Lane of The Ends of Performance (New York University Press, 1997).
Prof. Phelan has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. These essays have been cited in the fields of architecture, art history, psychoanalytic criticism, visual culture, performance studies, theater studies, and film and video studies. She has edited special issues of the journals Narrative and Women and Performance. She has been a fellow of the Humanities Institute at the University of California, Irvine and the Australian National University. She served on the Editorial Board of Art Journal, one of three quarterly publications of the College Art Association, and served as Chair of the board. She has been President of Performance Studies International and has been a fellow of the Getty Research Institute and a Guggenheim Fellow.